jazz2love

Album:  The Door is Open: The Music of Gregg Hill Artist:  Randy Napoleon Label:  OA2 Records Label Website:  originarts.com/oa2 Artist Website:  randynapoleon.com A fusion of minds, The Door Is Open:  The Music of Gregg Hill from guitarist and leader Randy Napoleon is his second record with the core band of pianist Rick Roe, bassist Rodney Whitaker, drummer Quincey Davis, and vocalist Aubrey Johnson.  Adding to the mix are Lucas LaFave on bass, Anthony Stanco on trumpet, Walter Blanding on tenor saxophone, and Andrew Kim on trombone. Integrating blues, bebop, and soul, Napoleon's arrangements have an organic fluidity, culminating into animated passages.  Johnson's scatting and vivacious vocalese have tracks like "Spa-Teneity" and "Motel Blues" ensnare the listener, struck by Napoleon's piercing strings and Davis's rippling drumbeats.  The cool jazz vibe of the tracks imbue a contemporary peal. The bluesy tint of Napoleon's guitar chords and the

Album:  Being Artist:  Chris Rottmayer Label:  Shifting Paradigm Website:  chrisrottmayer.com Being , the fourth release from pianist and leader Chris Rottmayer, is a compilation of original music, written by Rottmayer as part of a study of jazz pianist Mulgrew Miller and his recordings with the Woody Shaw Quintet.  With that in mind, the music has a statuesque hard bop parlance reminiscent of McCoy Tyner and an intimate jazz club flare reflective of Art Tatum. Five compositions are reflections of the city of Paris, France, such as “Pigalle," which is driven by a slow strutting bass line played by Rufus Reid as Rottmayer's keys drizzle gently across the smooth melodic soundscape.  The tune leaves the listener with an impression of the famous former red-light district of Pigalle, renown for its dancehalls and venues of entertainment, as being relaxing and peaceful.   “Châtelet,” another impression of Paris, projects the bustling activity around the Paris metro station with flai

Album:  Conspiracy Deliracy Artist:  Andrew Binder Label:  Self-Released Website:  andrewbindermusic.com Conspiracy Deliracy , the creation of bass player, composer and leader Andrew Binder, makes interesting commentaries about American culture both conceptually and musically.  A fusion of bop, blues, funk, improvisation, and cool jazz, many of the arrangements are reharmonized contrafacts, reimagining original works and revealing the inner workings of Binder's mind and ingenuity.  His music makes commentaries about current events and popular impressions fashioned from whittling improvised phrases, structured motifs and bop-inspired patterns that bridge traditional jazz with a modern day mindset. Examining “Mandela Effect,” named after South Africa's late president, Nelson Mandela, who died in 2013, the music is a light, fluffy assemble as the delicate feathering of Brian Stark's flute is encircled by Binder's soft bass pluckings. “Rush for Area 51” is stylized vastly d

Album:  The Ways In Artist:  James Zollar Label:  Label: JZAZ Records Websites:  https://www.rsberkeley.com/james-zollar https://www.discogs.com/artist/954763-James-Zollar https://wyntonmarsalis.org/personnel/detail/james-zollar A straight-ahead jazz oeuvre, The Ways In from bandleader and trumpet player James Zollar resumes a quest where pioneers of the trumpet's sympathetic vibrations like Clifford Brown and Bill Coleman left off.  Zollar shows audiences the delightful, melodious tone of the trumpet, moving in harmony with an array of brass, woodwinds, and rhythm instruments. The robust wails of Zollar's trumpet strutting languidly along "Do Nothing 'till You Hear From Me" emotes an enduring personable trait, unwavering persistence in the face of being dejected.  The recording switches to a joyful atmosphere in "Swing Spring" with jangly beats from percussionist Chembo Corniel, interfacing with the buoyant ripples generated by Michael Rorby's trom

Album:  Wild Is Love Artis:  Naama Label:  La Reserve Records Website:  https://www.naamasings.com Naama sings and swings majestically on her latest release Wild Is Love .  On close inspection, her vocal inflections spur exhilarating sensations and the clarion tone in her vocal nuances cause listeners to pause and take notice.  Her sultry purring is reminiscent of the late Lena Horne, and her creamy crooning is akin to vintage Lainie Kazan.   The recording is elegant and refined like a gold reserve wine that equally satisfies the soul's need to be engulfed in a succor-rich escape. Naama's music is solace for the soul and mind.  Her sleek phrasing through "I Cried For You" intimates a vulnerability that audiences relate to instantly as she asserts, "Every road has a turning / that's one thing you're learning / now I cried for you / what a fool I used to be / my brown two eyes are a little bluer / I found a heart a little bit truer / I cried for you / now i

Album:  Falling Feels Like Flying Artist:  John Korbel Label: Self-Released Website:  https://johnkorbel.com Endowed with a voice that raptures with a soulful resonance and sizzles with a bluesy consonance, vocalist John Korbel shows a sense of rhythm reminiscent of Teddy Pendergrass.  Korbel's latest release Falling Feels Like Flying is a collection of original material written by him and arranged by Mark Falchook. A recurring theme throughout the recording displays a leaning towards igniting a romantic mood in the melodies.  Korbel's cool swagger along "Sweet Burning" is spellbinding, fired up by the softly lit tremors of the saxophone.  The music creates a moonlit setting that is amplified in "First Christmas Loving You," as Korbel's vocal inflections produce a cushiony coating. Korbel's brand of blue-eyed soul, reflective of Michael McDonald, is intensified through "Wheels Up" joined by a jazzy piano vamp performed by Mark Falchook.  &q